Ed van Zon (NL), white, and Christiaan Freeling (NL), black.
1. e5 | c3 | |
2. d5 | f4 | |
3. c6 | d1 | |
4. a3 | g7 | |
5. b1 | e7 | |
6. b4 | g6 | |
7. e6 | f7 | |
8. d7 | d2 | |
9. a2 | e3 | |
10. a1 | c1 | |
11. c5 | d3? | Gives black access to b3. In retrospect
e4 seems better. The entering stage has been dominated by black's attempts to cram the white position, rather than to attack. White will doubtlessly succeed in building a large piece, once the entering stage is over, but 'cleaning up', that is: preventing white to do likewise, may not be that easy. |
12. b3 | a4 | This is the only moment black can attack without worrying white might take over: now that the entering stage is over, this will happen anyway. I've chosen a4 because this makes (at least appears to make) ef6 less attactive. Now fate strikes... |
13. c6b5 | a4x | |
14. a3b4 | c35x | |
15. db5x | ac4x | There's choice here, but I've seen the alternative. |
16. c53x | d3f5x | |
17. cg4x | e75x | Choce again... |
18. a1b2 | c13x | And yet again. Ed starts to 'clean up', that is: to deprive black from pieces to work with, before liberating any white prisoners. |
19. gf4 | f53x | |
20. a23 | f35x | |
21. f4b2x | ge6x | |
22. fe5 | e64x | |
23. e53x | BLACK RESIGNS. |